Tag Archives: Symbols

How Louis C.K. Could Help Improve Street Sign Design

The opening of last week’s season premiere of Louie offered up a hilarious scene of Louie and a fellow New Yorker trying to decipher an odd assortment of street signs to see if it was safe to park their cars. This must be a fairly common problem in bigger cities because I came across these weird signage clusters a lot back when I was trying to eek out a living as an urban planner. The picture below was taken in front of my sister’s old house in Evanston, IL (a Chicago suburb) back in the 90s. Despite all of the warnings, it was actually okay to park in this spot at the time we were there.

In any given city I suppose there are a bunch of different parking rules and each one has its own sign associated with it. Every now and then you get a situation where overlapping rules apply and the result is a bit of a jumble. It is a classic — albeit minor — case of the law of unintended consequences. There is simply nothing in a city worker’s toolkit that would allow them to provide an appropriate solution to such a complex problem.

What is needed is a more flexible approach — something that clearly outlines the rules of a given situation but can also be easily adjusted to meet slightly different circumstances.

After returning home, I put together a quick idea that involved more of a calendar-like design, with circumstances in rows and time-of-day in columns. My idea was to have a standard sign to which workers could affix a series of universal “no” stickers at the right points. The design is based primarily on the given situation (and does nothing to address the driveway warning) but I thought it was a good start.

The new sign would save taxpayer money by reducing both the number and variety of signs that needed to be made. It would also simplify the interpretation of complex situations for the average citizen and it could be easily modified by city traffic workers if parking circumstances changed. You could even use it to block off areas temporarily by adding a removable (magnetic?) marker during construction or special events.

The one big drawback that I could see for this design is that it leaves a lot of white space open for minor vandalism. Even I might be tempted to play a few games of tic-tac-toe on such a sign. Overall, though, I think it is a step in the right direction. I hope Louie would be proud.

Have a happy Fourth of July, everyone! Make sure you interpret those parking signs along the parade route carefully.

Revised Parking Sign System

Visualizing English Word Origins

I have been reading a book on the development of the English language recently and I’ve become fascinated with the idea of word etymology — the study of words and their origins. It’s no secret that English is a great borrower of foreign words but I’m not enough of an expert to really understand what that means for my day-to-day use of the language. Simply reading about word history didn’t help me, so I decided that I really needed to see some examples.

Using Douglas Harper’s online dictionary of etymology, I paired up words from various passages I found online with entries in the dictionary. For each word, I pulled out the first listed language of origin and then re-constructed the text with some additional HTML infrastructure. The HTML would allow me to associate each word (or word fragment) with a color, title, and hyperlink to a definition.

The results look like this:

The quick brown fox jumps over the lazy dog.

This simple sentence is constructed of eight distinct words and one word suffix. Six of the words are from Old English (colored in pink) while the others are from Gallo-Roman and Middle Low German (both colored in gray). Hovering over each word provides the exact source and clicking the word takes you to the full origin description.

A second example shows more variety:

Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.

This is a surprisingly complex Monty Python quote where the colors represent Old English (pink), Middle English (red), Anglo-French (orange), Old French (light orange), Middle French (pale orange), and Classical and Medieval Latin (both yellow). I suspect that both the complexity and variety of word sources is intentional — standing in humorous contrast to the appearance of the speaker.

What follows are five excerpts taken from a spectrum of written sources. The intent was to investigate each passage and see if word origin varied significantly based on the intended purpose of the passage.

(This process was pretty involved and my initial dream of creating an app that would allow me to convert any paragraph to this format faded when I realized that much of the word matching process needed manual intervention. I definitely suggest digging in to the full etymology site to explore the full history of each word. I have probably made plenty of translation mistakes as I developed my paragraphs but I certainly had fun.)

Passage #1: American Literature

The first paragraph I looked at was an excerpt from Mark Twain’s The Adventures of Tom Sawyer. I chose this text because I thought it would have a good mix of English and American words.

Tom gave up the brush with reluctance in his face, but alacrity in his heart. And while the late steamer Big Missouri worked and sweated in the sun, the retired artist sat on a barrel in the shade close by, dangled his legs, munched his apple, and planned the slaughter of more innocents. There was no lack of material; boys happened along every little while; they came to jeer, but remained to whitewash. By the time Ben was fagged out, Tom had traded the next chance to Billy Fisher for a kite, in good repair; and when he played out, Johnny Miller bought in for a dead rat and a string to swing it withand so on, and so on, hour after hour. And when the middle of the afternoon came, from being a poor poverty-stricken boy in the morning, Tom was literally rolling in wealth. He had beside the things before mentioned, twelve marbles, part of a jews-harp, a piece of blue bottle-glass to look through, a spool cannon, a key that wouldn’t unlock anything, a fragment of chalk, a glass stopper of a decanter, a tin soldier, a couple of tadpoles, six fire-crackers, a kitten with only one eye, a brass door-knob, a dog-collar but no dog the handle of a knife, four pieces of orange-peel, and a dilapidated old window sash .


The passage has a solid base of Old English words mixed with a variety of French, Latin and Old Norse terms. Middle English makes an appearance in the form of a few words and suffixes while American English is found solely in the list of items Tom Sawyer collects from his friends. Two of these American terms (“fire-crackers” and “door-knob”) are hyphenated words built from Old English and Scandinavian components. (Several of Twain’s other hyphenated words apparently didn’t make it over the hump into full-fledged Americanisms. However, it should be noted that Twain was often the first author to record usage of U.S. slang of the era.)

I found it interesting that Middle English had such a poor showing in this text but it may be due to the fact that the defining elements of Middle English have more to do with sentence structure and grammatical elements than specific words. I was also surprised at the frequent use of longer, Latin-based words in an adventure novel, but the average word length comes in at about 4.4 characters — still fairly short and simple.

Although 73% of the word fragments are Old English, Twain uses words from over a dozen different sources in this short passage alone. Overall, the wide variety of word sources adds a pleasing “flavor” to the passage. The mix seems well-balanced and interesting.

Passage #2: British Literature

For my second test, I wanted to look at text from a non-American author. I chose a paragraph from Charles Dickens’ A Tale of Two Cities Great Expectations out of respect for my 7th-grade English teacher.

My sister had a trenchant way of cutting our bread-and-butter for us, that never varied. First, with her left hand she jammed the loaf hard and fast against her bib where it sometimes got a pin into it, and sometimes a needle, which we afterwards got into our mouths. Then she took some butter (not too much)on a knife and spread it on the loaf, in an apothecary kind of way as if she were making a plaister using both sides of the knife with a slapping dexterity, and trimming and moulding the butter off round the crust. Then, she gave the knife a final smart wipe on the edge of the plaister, and then sawed a very thick round off the loaf: which she finally, before separating from the loaf, hewed into two halves, of which Joe got one, and I the other.

The relative simplicity of this passage surprised me a little. The average word length is about 4.2 and over 84% of the word fragments are basic Old English. No other source comes in over 5% and the variety of sources is half that of the Twain passage. American English Hebrew makes an appearance in the form of the name “Joe” but most of the other borrowed words are French in origin. Still, I found the text appealing in a way — basic words for a basic task.

Passage #3: Legal

The third paragraph comes from a United Nations document on maritime territories. I selected this passage because it seemed to contain more jargon and I suspected that much of this jargon was borrowed. This hunch proved to be correct.

Where the coasts of two States are opposite or adjacent to each other, neither of the two States is entitled, failing agreement between them to the contrary, to extend its territorial sea beyond the median line every point of which is equidistant from the nearest points on the baselines from which the breadth of the territorial seas of each of the two States is measured. The above provision does not apply, however, where it is necessary by reason of historic title or other special circumstances to delimit the territorial seas of the two States in a way which is at variance therewith.

This text had a much higher ratio of French and Latin word fragments (16.9% and 9.3%) and a longer average word length — nearly 4.8 characters — than both previous passages. With 64.4% of the word fragments, Old English still serves as a major binding agent in this text but there is less variety overall. Middle English makes its appearance only as a suffix and there is only one word outside of the English/French/Latin triumvirate. After the visual and poetic excitement of the two literature entries, this paragraph seems very bland.

Passage #4: Medicine
Note: This passage has been revised (see thread)

My dad suggested that I take a look at a healthcare-related passage to see if the use of specific medical terminology would tilt the word usage even farther away from “native” English words. Boy, was he right.

The anatomic axis of the lower extremity is defined by the femorotibial angle, which averages 5° of valgus; the mechanical axis of the lower extremity is defined by a plumb line connecting the center of the femoral head to the mid ankle on a standing anteroposterior weight-bearing radiograph. The mechanical axis averages 1. 2° of varus, and it is more accurate than the anatomic axis in demonstrating load transmission across the knee joint, especially if femoral or tibial deformities contribute to limb malalignment. A study by Khan et al in patients with early symptomatic knee osteoarthritis showed a clear relationship between local knee alignment (as determined from short fluoroscopically guided standing anteroposterior knee radiographs)and the compartmental pattern and severity of knee osteoarthritis. In this study, each degree of increase in the local varus angle was associated with a significantly increased risk of having predominantly medial compartment osteoarthritis, and a similar association was found between the valgus angulation and lateral compartment osteoarthritis in 47 knees. osteoarthritis in 47 knees.

The medical paragraph has only 51.9% Old English word fragments and the average number of characters per word is 5.7 — much higher than even the legal text. French Latin, and Greek were used more frequently in this passage and, despite U.S. prowess in the healthcare field, there were no American English terms. This is a paragraph that is doing a lot of heavy lifting and it uses a lot of dense, muscular words to get the job done.

Passage #5: Sports

This last passage was an attempt to stack the deck in favor of some home grown words. It doesn’t get more American than baseball, but the only American word in this article about a spring training rainout between the Milwaukee Brewers and the Texas Rangers is the word “baseball” itself. Everything else is either Old English or borrowed. Still, I have to assume that phrases like “at-bats” and “suicide squeeze bunt” are not exactly common constructions and my guess is that the entire article would be a mystery to someone who didn’t know the game.

It was a wild, windy day at Maryvale Baseball Park before the rains came with the Brewers ahead, 6-4. The Brewers scored their runs on a throwing error, a delayed double steal, a wind-blown popup that fell in shallow center field, a fielding error on that same play, a wind-aided triple and a suicide squeeze bunt, all in three innings of at-bats.

The triple belonged to Caleb Gindl, who motored to third after Rangers center fielder Craig Gentry crashed into the wall, forcing open a large gate. Gentry and left fielder Conor Jackson worked together to close it so play could continue.

It was crazy out there, Gindl said. it was scary in the outfield. After a while we were all just playing deep, knowing the ball would either get to us or blow out.

Play didn’t last long after the Brewersfour-run third inning. Brewers reliever Manny Parra pitched a scoreless fourth, then the grounds crew covered the field before the bottom of the inning could begin.

After a delay of just 12 minutes, the game was called.

First of all, I absolutely LOVE the fact that Caleb Gindl uses two Old Norse words to describe the weather conditions during the game. It provides a certain primal, unhinged quality to the situation and adds a third element — nature — to the contest. I also like the use of the onomatopoeic terms “pop” and “crash” because they serve to underscore the action.

The passage itself is a little lighter on the French and Latin roots than some of the earlier paragraphs and many of the terms are fairly short — the average word length comes in at about 4.6 characters. Some of this may be due to the fact that it is an online article (and attention spans are short) but it may also related be to the simple concepts at the core of the game itself. Words like “bat” and “ball” are very similar to their proto Indo-European roots (*bhat- and *bhel- respectively), suggesting that any associated activities are pretty basic to the language. Also, the sheer number and variety of numeric references (e.g. “three”, “third”, and “triple”) bring in many simple terms.